The Deep Cut

R emember the days when watching TV was associated with a looming guilt? 'Mumma-Papa are not home yet, let's steal some minutes of TV' - I bet I was not the only one to get such cheap thrills back in the late 90s. "Go play outside" they'd say. We were frequently reminded of the idea that watching TV is a lazy and time-wasting investment. We tend to associate with that idea time and again, when we say we 'binge-watched' something! As if to say that we have something better to do with our lives. And to be realistic, they were correct. We did have better things to do than to watch TV. If you ask me, the last time we were glued to a TV set, it was when we had 'Hum Paanch', 'Sarabhai vs Sarabhai', 'Dekh Bhai Dekh', 'Office Office', 'Disney Hour', 'Small Wonder' and 'F.R.I.E.N.D.S' among many others. And then suddenly, the idiot box got corrupted with scripted soap operas that focused less

BE ADVISED, CONTAINS SPOILERS. CRAZY BAT SHIT OF THEM! You can tell I was super excited when I learnt that Christopher Nolan has picked up on the idea of black holes and wormholes in his next venture. Unfortunately, he made Inception earlier and ruined everything for me. While Inception was a huge leap in science fiction, it raised the bar for the kind of movies the duo of Christopher and Jonathan Nolan can achieve. Inception was worthy of all the hype it has ever got, because not only was it a brilliant movie, it was also a refreshingly cerebral idea. It was something new. With Inception having set the stage to welcome Interstellar to the movie theatre, it was the sense of expectation that undid everything.  To list a few scientific inaccuracies  (or shall we say) inconsistencies that I personally found with the movie, I would have to start somewhere here: 1. How did the wormhole - the one near Saturn - came to be in the first place? It takes an enormous mass to

I have few of the finest childhood memories associated with certain movies. Movies like the 1998 Hollywood-made Godzilla, Star Wars: Episode I - The Phantom Menace, Harry Potter and the Philosopher's Stone and a couple more associate themselves to the times of when I was a lonely kid living in a Dickensian hostel. These movies had released in the time when I was that starry-eyed little guy out to discover science fiction and some damn good animation in contemporary movies. Notice how I make it sound a little too intense? Well, so ever since I saw the trailer of the 2014 redoing of Godzilla, I've sworn upon myself to watch it within the first week of it's release. It wasn't about the stars (Brian Cranston was always supposed to do justice), or the mayhem, or the artistic improvements (Mothra became M.U.T.O. and we thank God for that), or the original interpretations dating back to the Japanese origins of Gojira either. It was for the very reason that made thi

I have always tried to keep myself aware of the world around me. Take a peek into my life, and you'll find me spending quite a lot of my time on all kinds of news feed on my HTC device. Apart from science, I take interest in politics, sports, current affairs - national and international - literature, entertainment and in so many other fields. So when everyone I met in New Delhi asked me what I do, I found myself disappointing them again and again. "How does a PhD in Molecular Biology aspirant find his way to the 13th India Today Conclave?" They couldn't believe me further when I told them of my invitation as the official blogger for the event. Take a careful note, ladies and gentlemen. Take a careful note of the kind of social apathy a gap-toothed, bespectacled science student has to face everyday in his life!

Director's Cut MK Raghavendra HarperCollins 320 Pages | Rs. 399 To be honest, however great a cinephile that I claim to be, I have read very few books or essays on cinema in India before now. Admittedly, I would consider the online reviews of popular film critics, such as Anupama Chopra and Rajeev Masand, before planning a movie outing with friends and family. But lately, not always would their views cohere with mine. It is at this juncture that I come across M.K. Raghavendra's Director's Cut - 50 Major Filmmakers of the Modern Era, published by the  HarperCollins. The author is well known among Indian film critics, and is known primarily for his scholarship and expertise. In this book, he handpicks fifty of the most revered film directors of the post-1960s world cinema and attempts to study their craft from different point of views. Political implications, social realism and even the director's mental attitude towards his work, among many. The author s